Jewels

I may not be able to retire, but no-one can say I didn’t go out and enjoy London.

I was at the Royal Opera House again tonight, for the second time this week.

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It was ballet this evening, I felt extremely fortunate to see George Balanchine’s Jewels, which is now 50 years old, just like me (sigh).

Here’s the official trailer for the version I saw tonight.

It goes without saying that the dancing was amazing, this is the Royal Ballet, they are world famous.

Thanks to my mother I saw many 19th century classical and romantic ballets when I was a kid. Swan Lake, Sleeping Beauty, The Nutcracker, Giselle, Coppelia, La Fille Mal Gardee. It was a treat for a little girl. The last time I saw a ballet performed could have been 30 years ago. So it was a very interesting experience going to this 1960s ballet (in fact, 1967) as a mature adult.

Jewels is an abstract ballet in three acts; there is no story-telling. It is divided into three sections: Emeralds, Rubies and Diamonds. Dancers, performing solo or in groups as large as 35, are elegantly arranged on the stage in geometric configurations. The effect, especially in their sparkly and bejewelled costumes, is kaleidoscopic. Each dancer is a jewel and they form chains and make squares and triangles on the stage. Music by Fauré (emeralds), Stravinsky (rubies) and Tchaikovsky (diamonds).

I also want to remark on the set design, which is gloriously 1960s. There are ostentatious chandeliers and pillars that make the stage look like a grand American hotel.

Royal Ballet dancers and members of the creative team who worked on this 2017 production discuss why it is a special ballet.

See the whole thing in this Russian production broadcast by Euro Arts Channel:

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